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Topics - Reginald Hudlin

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31
Hudlin's Huddle / The Quotable Reggie Hudlin
« on: March 17, 2019, 10:27:35 pm »

The quotable Reggie Hudlin - stuff I've said over the years that people like. The list of advice that's good in most situations is at www.hudlinentertainment.com main page - please tell me what you think.

32
Hudlin's Huddle / Richard Hudlin - tennis champion
« on: March 02, 2019, 09:25:52 am »
Read the latest installment of the Hudlin Family Chronicles on the main page then come back here to comment.

33
Hudlin's Huddle / My favorite movies of 2018
« on: February 26, 2019, 02:14:23 pm »
Check out the list on the main page, then come back here and comment.

34
Entertainment Weekly's latest issue is about great romantic comedies, and here is the full interview with me talking about the making of BOOMERANG; plus the list for the NAACP Entertainer of The Year and YOU can choose the winner; and screenings of MARSHALL for black history month. See it all at www.hudlinentertainment.com, then post on the forum page or right here! #boomerang #eddiemurphy #halleberry #gracejones #bangbangbang #hammertime #naacpimageawards #marshallmovie

35
Hudlin's Huddle / BHM favorite black book list
« on: February 10, 2019, 08:26:29 pm »

Check out my Black History Month list of ten of my favorite books at www.hudlinentertainment.com and see how many you have read and which books you would add to the list. #blackhistorymonth #readingisfundamental #readabook #malcolmx #ishmaelreed #kylebaker #octaviabutler #alexhaley #guyjohnson #ralphellison #malcolmgladwell #nelsongeorge #toure #michellealexander #derrickbell

36
Hudlin's Huddle / it's BHM on Hudlin Entertainment!
« on: February 04, 2019, 05:53:45 am »
Read about Peter Hudlin, Underground Railroad Conductor, at www.hudlinentertainment.com where I will be posting Black History Month entries the whole month of February. #freedomain'tfree #generationsofservice #undergroundrailroad #hudlin

37
Latest Flicks / Roma
« on: January 21, 2019, 07:29:10 am »
I'm a big fan of Italian Neo Realism, and its echoes in 60s Cuban cinema and 50s, 60s and 70s black american independent cinema.  Fellini is probably the greatest, but there are many giants in that style.

And now with Roma, we have 21st century addition to this genre. 

Anyone else seen it?

38
Hudlin's Huddle / check out my top ten music countdown on the main page
« on: January 19, 2019, 10:33:08 pm »
I don't know if I told you about other cool stuff I've been posting, like the top ten events in my life, which was posted last week, or the top ten great losses, but check out what's up now and what I"ve been posting.

39
Hudlin TV / Surviving R. Kelly
« on: January 06, 2019, 06:58:06 pm »
Just watched all six episodes. 

Horrific that he is not in jail yet.

I hope this show finally make that happen.

40
Other Comics / The Magic Order
« on: January 06, 2019, 08:45:36 am »
I"m a huge Mark Millar fan, and this new series does it again. And the art by Oliver Copiel is unbelievable. I'm on pins and needles for the next issue.

41
Other Comics / WINTER SOLDIER #2
« on: January 06, 2019, 08:43:13 am »
First issue great and the second one even more amazing.  Love the Bill Seinkevitz inspired art.

42
Latest Flicks / The Favorite
« on: January 04, 2019, 07:59:12 am »
Who has seen this period film?

43

How Rami Malek survived the "very difficult" 'Bohemian Rhapsody' shoot
BY MARK SALISBURY27 DECEMBER 2018
No comments Save article
Rami Malek needed singing lessons, dance tuition and a dialect coach to transform himself into Freddie Mercury for Bohemian Rhapsody. He tells Screen about the challenging shoot.

Bohemian-Rhapsody
SOURCE: 20TH CENTURY FOX
‘BOHEMIAN RHAPSODY’
Rami Malek’s usual method for creating a character is to start from the inside out. But when it came to playing Freddie Mercury in 20th Century Fox’s Bohemian Rhapsody, Malek worked first on the legendary Queen frontman’s flamboyant physicality before delving into the psychological.

“I watched all the archive footage you could ever find,” recalls the Mr Robot star, who has scored a Golden Globe nomination for his extraordinary performance, “and I keep searching for more because I’m even more of a fan than I’ve ever been. I really did look at him as a rock god, an icon for all of us. He did anything he wanted to do on stage. Just to capture that aspect of him was going to be a challenge. And I thought the only way to do it would be to have time. If I had enough time, I was giving myself a fighting chance.”

So long before the film was even greenlit, Malek embarked on an intense period of research and preparation, informing Los Angeles-based producer Graham King of GK Films: “‘I’m flying to London. I’m going to try and find some singing classes and some piano classes; I’ve never done any of those in my life. I need your help. I need a choreographer. I need a dialect coach.’ [Freddie] had a very specific way of speaking. He had a very specific way of doing anything.”

Malek was particularly keen to work with a movement coach. “I’m not a dancer and I knew I needed to be spontaneous. I looked at what Eddie Redmayne did in The Theory Of Everything and tried to find his.”

Alas Alexandra Reynolds was busy, but “someone led me to Polly Bennett and within a day we were working on ballet moves,” continues Malek. “[Freddie] was very elegant in his footwork and he got a lot of that from Bob Fosse and Liza Minnelli, so we watched Cabaret quite a bit. At one point Polly [had] me do ‘Killer Queen’ as a Shakespearean soliloquy as performed by Marie Antoinette. Essentially, she was getting me to be as spontaneously Freddie as possible. To not mimic him in any way, or try to do an impersonation, so that I, in any moment, whether it be a straight scene or a concert, felt as though he was existing in my body, and it was all grounded in my physicality and my performance.”

Together, they looked into Mercury’s family and upbringing to discover what made him the man he was. “Almost from the very beginning we started to look at his mother, how her facial structure moved, how his sister moved, how they spoke. Then we started to look at his early work. Sometimes we’d watch him in an interview in the ’70s, then an interview in the ’80s and see how his physicality matured and evolved. [Polly] calls it heritage movement. Everything stems from your youth. The punches he throws in Live Aid, those are born out of his early boxing days at St Peter’s boarding school in India.”

Malek’s on-set physical transformation was equally intensive, requiring multiple wigs, makeup and even a prosthetic nose. Then there were Mercury’s famously protruding teeth, which earned him the childhood nickname Bucky. For Malek, it meant wearing a false set. “I wore them every night, almost, for a year to get used to them,” he says. “I felt incredibly insecure when I first put them in. I felt I needed to compensate in some way, and my posture elongated almost immediately, and I thought, ‘Wow, what gorgeous posture Freddie had. Was he doing the same thing?’ I never really had an answer for that.”

Leading man

Malek’s performance is even more remarkable in light of the film’s behind-the-scenes drama. Bohemian Rhapsody’s credited director Bryan Singer was fired by Fox after his continued absences from the set forced the studio to halt production with two weeks left to shoot. Eventually, he was replaced by Dexter Fletcher who finished filming and supervised the edit. In previous interviews, Malek has tended to be circumspect about what went down with Singer.

“I would love everyone to know exactly what happened day-to-day,” he says. “It was a very, very difficult, complicated time on set. All I wanted to do was honour this man and do him justice. I had put so much effort into doing just that, day in and day out. I’m very, very proud of the way I conducted myself. I have never felt I could be more of a leader than I was on that set.

“I gathered every ounce of strength I had in me, to step up and not only make sure I was taking care of Freddie by being there for everyone, cast and crew. I look back on it as a period of immense maturation, and I feel a strong sense of dignity. I have to thank my fellow actors for lifting me up every day. I also had great producers on my side. The crew on this, almost all English, saw the dedication we had as a cast, and the work I had already put in, and were never going to let me down. I have to hand it to every single one of them for stepping up, even under moments of great duress.”

But while Malek has received near universal praise for his portrayal of Mercury, the film has been criticised in some quarters for whitewashing the more excessive side of the Queen singer’s lifestyle to paint a more palatable portrait. “If it goes into a hedonistic, very promiscuous, illicit aspect of his life, I think we start to really limit our audience,” contends Malek. “The fact we are getting millions of people to go out and hear about Freddie Mercury’s story and Queen’s story, introducing so many fresh ears to great music, and perhaps sending a message of living a defiant, authentic, inclusive life, I’m very proud of that.

“Of course, there are a number of ways to tell Freddie’s story,” Malek continues.

“The one thing I was told he said before he passed, to the band and to [manager] Jim Beach, was, ‘Do what you want, just never make me boring.’ I don’t think we’ve made him boring.”

44
Acting / the next level actors of 2018
« on: December 31, 2018, 12:16:30 am »
which actors do you think went to the next level in 2018?  I would say:

Bryan Tyree Henry

Constance Wu, Awkwafina and the whole damn cast of Crazy Rich Asians

Trevante Rhodes

who else?

45
Comic Reviews and Spoilers / BATMAN Annual #3
« on: December 30, 2018, 12:34:49 pm »
This was the best single issue Batman story I've read in years.  Wow. 

Kudos to Tom King and Otto Schmidt.

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